Sunday, January 2, 2011

Anim-

ANIM

Reality can be questioned from any discipline, as long as one keeps aware how the discipline relates objectively to all else. In the case of Newtonian motion -- still the powerful everyman description of the universe -- a questioner must understand Newton's mental climate. To do so requires research into much earlier times, to the beginning of ideas of motion for humans.


Animals, of course, can move. They are named for this ability.


When one examines the history of ideas for clues to the word "animal," curious threads are found raveled.

A primary theme of writers for at least the last three thousand years, from the times of Plato, Socrates, and Aristotle, is the beginning for motion in metaphysic terms, in things.

These titles show this:


De Motu Animalium—Aristotle (3000 BC)


De Motu Animalium--Borelli (1680-81)


De Motu Locali Animalium--Fabricius (1618)


De Motu Locali Animalium--Harvey (1627)


(from Jaynes 1970).


The translation from Latin is easy because of the words changing little, being that important, over almost five thousand years.


What we think of as classical motion has similar affiliations in title, throughout longish times. It is wise to point out here that three thousand years is a mere blink in the evolution of our species sapiens, which easily started hundreds of thousands of years ago. Does your mind feel the edge of a cliff of eons of time?


Basic thoughts for theories of motion have included celestialism, organismic, then materialistic, and most recently energetic (quantum) views. They formed metaphors for other, social ideas of the times. I began extensive referencing here: Carolyn Merchant, Daniel Boorstin and others have summarized these ideas with important historic research, quoting lengthy and exact passages from many ancient scientists. I look at the marks that are to reference from The Discoverers by Professor Boorstin-- ten of them.


The Random House College Dictionary has 28 listings of the prefix anim-, with such known words as animated, animal, and animism.

Merchant in her work shows long sections on vitalism, animism, motion, and curiously, something called vegetavism: 18 pages to look at again in her book.

I offer for the reader a number of direct quotes next; they document the quest for a definition of animism and motion. The original language surpasses by far a temptation to abstract. One will see powerful thought centering on a single concept-- how can things begin to move?



Primary Causes

Joseph Campbell, Mythology, page 87-

It is already clear from the studies that have been made of children in the West… life becomes restricted to animals and plants, and consciousness to animals, hardly before the ages of eleven or twelve… when the adult is asked about the mysteries of creation it is seldom that he will answer in other terms than those of the infantile artificialist or animist: the world has been made by some omniscient god for some purpose... or else... there is within things themselves some force that makes them.


149 -- in the words of Plato: 'The motions akin to the divine part in us are the thoughts and revolutions of the universe; these, therefore, every man should follow.'



Next up on my desktop stack of references is a book called Sacred Dance from Oesterley, from 1923, with a red library cover. In it, page fourteen, is "Now, in the animistic stage what first suggested the presence of life in anything was movement." Page fifteen has "The innate tendency to rhythmic motion."


From The Mythology of All Races -¬Volume 2, 1930 -

How far the (Eddic) deities are derived from animistic spirits of different departments of nature is a moot point... man viewed rivers, hills, trees, thunder, wind, and the like, as alive in the same sense as he himself was... Some were in motion... trees swayed by the wind.

Volume 10, 269 –

Taking 'anima' in its primitive sense of 'breath,' 'wind,' no other word seems really preferable as a description of the ancient notion of indwelling lives or powers in all things.


From Dictionary of the History of Ideas –


The standard and most important variant of anthropomorphism is animism which sees a soul in everything in nature (87).

When attraction and repulsion appear together in Newton's Principia (1687), they are put together as a theory of force, and the idea of force was considered at that time to be highly animistic (89).


This is not widely known, that Newton's Laws of Motion were shaped by a climate that involved animistic forces. A fundamental question regarding motion, therefore, does not really involve Newton, but a perhaps even more illustrious predecessor.


Aristotle

I found Aristotle in the library -- Great Books of the Western World, 9, Aristotle II. This is a labyrinth for referencers; to wit -- page 115, Book VIII, 588b -- the History of Animals –

Next after lifeless things in the upward scale comes the plant, and of plants one will differ from another as to its amount of apparent vitality.


Page 23, 698a, On the Motion of Animals (still by Aristotle who has his own numbering system made known to me by Julian Jaynes) has

The origin of all other motions is that which moves itself.



Page 233, 698b tells us


...neither would there be any walking unless the ground were to remain still.



Page 236 has 701a and 703a –

...The prime mover then moves, itself being unmoved, whereas desire and its faculty are moved and so move... desire is the last or immediate cause of movement", the soul originates movement in the body.


Nothing prior to Aristotle defines motion this sharply. He saw the need.

 

Great Books of the Western World Volume 10 quotes the Greek physician Galen's On the Natural Faculties, page 167 -

I. Since feeling and voluntary motion are peculiar to animals, whilst growth and nutrition are common to plants as well, we may look on the former as effects of the soul and the latter as effects of the nature. And if there be anyone who allows a share in soul to plants as well, and separates the two kinds of soul, naming the kind in question vegetative, and the other sensory, this person is not saying anything else, although his language is somewhat unusual. We, however, for our part, are convinced that the chief merit of language is clearness, and we know that nothing detracts so much from this as do unfamiliar terms; accordingly we employ those terms which the bulk of people (my emphasis) are accustomed to use, and we say that animals are governed at once by their soul and by their nature, and plants by their nature alone, and that growth and nutrition are the effects of nature, not of soul.


And three thousand years after, still informed by Aristotle, the beginning of Maria Montessori's Chapter 15 in The Secret of Childhood-- :

It has been a serious error to list movement among the various functions of the body without adequately distinguishing it from those of the vegetative life such as the assimilation of food, breathing, and so forth... Movement, although it is characteristic of animals, does have an influence also upon the vegetative life.


The quotes in the above section, jumping thousands of years, show the competition and desire to define what was once called "anima."


These references show that the beginnings of animism are difficult to trace. Could it be tied to the beginning of the use of wood, when people didn't want to feel like tree-slaughterers and thus rationalized a lesser vitality for them? Galen the Physician hinted strongly that there were a number of his contemporaries ascribing animism, motion, to things other than animals.


There are much older writings than Greek of course, and many translations have been done on cuneiform, Linear B, heiroglyphics, the New World languages... one is drawn ever backward to ideograms and pictograms beginning the written word. Everywhere, translations of languages (with some few exceptions to be noted later) are standard for animism in the sense that verb forms refer to the same objects in motion that we expect to see today ("I run to the tree" instead of "The tree moves to me"). Verbs are obvious indicators of motion beliefs.


And, for a long time while our nouns have changed, verbs have existed under the radar of science.



Verbs and Animacy

If one looks in the index of Comrie's Language Universals and Linguistic Typology at the entry for "verb agreement" it says "see also animacy." Chapter 9, "Animacy," is fascinating and quotes are revealing. After all, verbs are how we describe motion; therefore, a study of our belief in motion should include a study of verbs and their origins.

In this chapter, the unifying theme is rather an extra-linguistic conceptual property, namely animacy... we define it as a heirarchy whose main components, from highest to lowest... are: human, animal, inanimate... animacy can be a relevant parameter in language change… thus suggesting that animacy is a universal conceptual category that exists independently of its realization in any particular language (178-79).


In Yidiny... preference for the dative with noun phrases of higher animals, and strong preference for the locative with noun phrases of very low animacy (e.g. stones) (183).


...within the overall class of animals we again find that some languages make finer distinctions... in Ritharngu... the special... affix is used for humans and higher animals, such as dogs and kangaroos, while this affix is not used for lower animals, such as insects and fish, and inanimates. In Yidiny, as discussed above... there is... a continuum, with higher animals being treated as animate more often than lower animals... with many pairs of animals the distinction is clear, as between most mammals and insects... finally, we come to inanimates. Most languages seem to leave this as an undifferentiated class... however... in Navaho, inanimate entities that are capable of spontaneous motion are classified higher than other inanimates, the former including, for instance, wind, rain, running water, lightning (189-90).



These quotes suggest that the casual, animistic use we have for action verbs was not always so; in more naturalistic languages, verbs are used differently and in some cases, more widely. But -- probably because these are all human languages -- animals and especially humans enjoy the most freedom of motion, reflected in verb use.




Planetary Motions

Maxwell published this in 1877:

..the phrase 'at rest' means in ordinary language 'having no velocity with respect to that on which the body stands,' as, for instance, the surface of the earth or the deck of a ship. It cannot be made to mean more than this. It is therefore unscientific to distinguish between rest and motion, as between two different states of a body in itself, since it is impossible to speak of a body being at rest or in motion except with reference, expressed or implied, to some other body (from Matter and Motion , page 22).


He wrote, too, after a section about the fundamentalism of physics, in a footnote,

...it is possible to assert that a physical system is of dynamical type although we may not have been able to form an idea of the configurations and motions that are represented by the variables(136).



The philosopher Tommaso Campanella exclaimed,


when he understood what Copernicus was saying, that the earth really moved... 'Mundum esse animal, totum sentiens!' In a world so sentient and alive, motion is everywhere (Jaynes from "The Problem of Animate Motion in the Seventeenth Century").


Tricker and Tricker, in 1967's The Science of Movement, right from page one say

To change the theory of movement meant, in effect, abandoning Aristotle's complete scheme of things. It was as though, today, we were asked to abandon our picture of the universe of the fixed stars, the solar system, the atomic theory of matter, and the whole scientific picture of the world which we now inherit from infancy, in order to improve one aspect in what could not have appeared to be anything more than a minor area of the whole. It is thus, perhaps, not altogether surprising that it was 2,000 years before this reformulation was achieved... (the) second factor which contributed a good deal to the difficulty experienced by those living in ancient and medieval times in arriving at a better theory of movement was that their own experience of movement was so very limited. Today we are accustomed to being started and stopped in buses and...



I would like to go on with this form for a bit more.

Kuhn writes

Consider, for another example, the men who called Copernicus mad because he proclaimed that the earth moved. They were not either just wrong or quite wrong. Part of what they meant by 'earth' was fixed position. Their earth, at least, could not be moved. Correspondingly, Copernicus' innovation was not simply to move the earth (1970:149).

McCain and Segal from The Game of Science: Second Edition—

Copernicus... by assuming that the earth spun on its axis once a day, he could hypothesize that the fixed stars that seem to rotate were actually stationary.



Newer Ideas

One more group serves to magnify the continuing, overwhelming nature of this very basic belief in what moves (the following from Zukov, 1979)--


Of course, it is true, but the earth does not seem to be moving to us who live on it (145).


His (Einstein's) idea was to create a physics valid for all coordinate systems, since the universe abounds with the non-inertial as well as the inertial kind... to create such a universally valid physics, a general physics, then we must treat both the observers in the stationary (inertial) system and the observer on the revolving circles (a non-inertial system) with equal seriousness (195).





Bringing the good reader through this kind of timetraveling is to give one the sense of a constancy through the last 2000 years of science.


Definitions in celestialism, vitalism, or animism are thus either easy to know or, at one level deeper, metaphysical. These -isms of motion are simple if one presumes a soul, a spark in us that gives us a power beyond other forms of life, even if the earth is considered alive. And one readily sees that all of the -isms have a more or less standard motional sense. Even Einstein's has, if only in the idea that it has yet to affect society in conscious ways. We still feel that we walk on a planet.





Origins of Thermodynamics

If one sees ancient beliefs to be internally valid, with thoughts of an unmoving earth and a garnering of motion for us, truths like thermodynamics naturally evolve.

A fixed earth, in its various ancestral forms, would favor a beginning for thermodynamics in the natural belief that the ground stayed much more still than we, abstractly, consider it today. Winds were felt to move from the vastness beyond with no trees. The sun and moon were holy; there were hot and cold "exhalations" (winds) that had effects. These had patterns that some like Aristotle watched, and his observations are more alike than dissimilar to those of today.

Thermodynamics, the great describer of atmospheric motion on earth today, where hot and cold air or water rise and fall, fueled by the sun, was born not by sophisticated weather instrumentation, but by a form of anthrocentrism, related to a simple physics: the fixed earth idea. Think what could have instead developed if it was thought that the solid earth sped in space. If a bowl of water or air is moved, the water or air will tend to stay in one place. (For a thorough story of early ideas of winds see Kals, 1977, The Riddle of the Winds).

And of course thermodynamics is virtually beyond question in 1994, when this is written. But it began by inference from simple experiments and observations related to the beliefs of the time.



A Tool for Interspecific "Mindreading"

Contemporary meanings for animism are still examined (Carl Jung for instance). But it is largely rote-- ¬one need only stand on a streetcorner and listen to everyday conversing to realize our belief: action verbs are always tied to animals or machines.

The relation of animacy to ideas of the beginning of motion is somewhat hidden. Animism runs deeper than anthrocentrism (for example, both creationists and evolutionists use the same verbs). I see evidence that it became implicit, much like an instinct, before ever becoming conscious and defined. It obviously has attracted a great emphasis in history. If anthrocentrism was a survival mechanism, animism was more a semi-traceable legacy... from who or what? The possibility of it being from nonhuman ancestors, other animals, comes to mind, since as we go back in historic time it seems to change. If true, this might be a valuable bridge bringing us back before human language, for those who wish to find a direction to true communication with other species.

We in 1994 take for granted, with the presumption of schoolchildren, the fundamental, innate supremacy of the freedom of motion. Speed is a god. And in the sciences, we base our belief systems on motion. The progressions we make in natural history will be varied and many in the future¬-- wider-ranging field observations, biochemical, evolutionary clarifications, ecologic relations, resource uses. The base for these is completely... grounded. This is the "humans have existed for an eternity" idea: we know all. But in the frame of a biologic time scale, the previous becomes less consequential. This is the "only for a moment" idea: we know nothing. From the first things we consider to have motion-- ameboid, flagellar, ciliate -- to our own walk around the block is an immense time.

The origin of prokaryote, mobile cells is taken as roughly 3.5 billion years ago. It is instructive to remind the reader that the debate concerning animacy and mobility, has taken place, roughly, in only the last three thousand years.

Interspecific communication is not a reality; we know little about the belief systems of animals. Yet, realizing the vast times involved here, the closeness to us in time of Aristotle’s reasoning, and the trend to restrict motion to animals, one is tempted to entertain the possibility that, before Aristotle and Galen felt the need to address animacy, a different sense of it was present—not just in earlier humans but in previous species that evolved in lineages related to ours.

Are our language beginnings related to the evolution in languages of those animals that led to us? How far back may we trace, and with what method?

I suggest the defensible view that ideas and questions common to all human languages, at conscious and especially subconscious levels, reveal even older communication forms. These common ideas seem to include animacy for what we now call inanimate objects. Think of where Aristotle and Galen got their questions, or what they argued against; one is drawn ever back in time to something that could not be called human that had a different sense of animacy.

Further, these ideas and questions are now vanishing, sinking deeper into our subconscious: regressive, becoming extinct, possibly thought of as “crazy,” which of course would somewhat encompass extinction in our genes. But at the same time this would be a tool for “reading the minds,” interpreting the realities, of other animals. It is not an easy manner reasoning out what some call “deep memory,” the vestigial patterns we still have, however faint. But with careful inference, generalities can be suggested. Ancient people had smaller doorways—therefore they were shorter. And they felt the need to reason out animacy—therefore previous humans, and those before them, believed differently.

A group of thoughts are considered in this method with the next chapter. The research question: might there be a definable point in Animalia where the sensing of motion changes? Could this be examined with clues to how animals live today?

Sunday, December 26, 2010

Which The Bulk Of People-- the moving plant chapter

"WHICH THE BULK OF PEOPLE" (GALEN)



That animals move is long-lasting. Yet pervasive in writing is a noteworthy alternative of something else moving-- members of the Plant Kingdom.






Ancient Tree Worship


The first recorded stories of trees seem to be of a "world-tree," a centerpiece, named Irminsul, Yggdrasil or Ceiba, of the Scandinavians, Mayans, Yakuts, or other tribes. This infers a centeredness and a stasis, nonmotional. Some of these world trees were oracular-- their moving, rustling leaves were heard as voices. In this early form of animism for plants (and other objects), the oracle, we see what is now thought aberrant-- ¬a belief that becomes extinct.


After this. good translations from ancient Greek and Latin show a rift (and indeed an eventual clash) between belief forces regarding nature. In the Greco-Roman time span comes the recognized beginning of contemporary scientific discourse. A flourishing of reason began; there was comfort and safety, survival was taken care of, and the logic of thinking was used. Both Greek and Roman cities bore a major responsibility for this.


Contrasted in Europe at the time were the extensive country (better to say wilderness) dwellers variously known as barbarians, pagans, Kelts, or Gauls.


Caesar warred against the Gauls.


He attacked Marseilles, and his chronicler Lucan writes circa 70 AD:


He sent men in all directions to fell forest timber... The axe-men came on an ancient and sacred grove. Its interlacing branches enclosed a cool central space into which the sun never shone, but where an abundance of water spouted from dark springs. Yet this was not the haunt of such innocent country deities as Pan, or Silvanus, or the nymphs: the barbaric gods worshipped here had their altars heaped with hideous offerings, and every tree was sprinkled with human blood. According to the local tradition, no birds ventured to perch upon these trees, and no wild beast made his lair beneath them; they were proof also against gales and lightning, and would shudder to themselves though no wind stirred... Superstitious natives believed that the ground often shook, that groans rose from hidden caverns below, that yews were uprooted and miraculously replanted, and that sometimes serpents coiled about the oaks, which blazed with fire but did not burn... Nevertheless, Caesar gave orders for the grove to be felled... having escaped destruction in all previous wars, (it) was the one patch of forest left in the neighborhood. Yet the loneliness and solemnity of the grove awed his very toughest soldiers; they shrank from the task, convinced that if they struck at the sacred trees the axes would rebound, turn in the air, and chop off their legs. Caesar, realizing what was passing through their minds, snatched an axe and swung it fiercely at the nearest oak... Ash-trees; gnarled holm-oaks; esculent oaks like those at Dodona; alders whose timber does not rot in salt water; cypresses, which are used only at rich funerals -- all were felled... Every Gaul present shuddered at the sight (Pharsalia, transl. Graves 1957).






Lucan says a number of interesting things here. He mentions the use of wood. He mentions the superstition of his fellows, excepting Caesar. He ascribes an animacy to the grove, and that barbarians attended the event. He mentions Dodona of Greece:






The best known of all the sacred groves of Greece was that of Dodona (sometimes called the Chaonian Forest)... It is said that thunderstorms rage more frequently at Dodona than anywhere else in Europe... it was by the rustling of the leaves of this Oak, which moved without being stirred by the wind (Alexander 1928:58).






The superstition of deep forests is completely relevant, even today, if one tries an unfamiliar excursion into any. The feeling easily persists-- but ancient writings show that, historically, question was being made of this aspect of paganism by the beginners of science as we know it. Galen's comment stating animism only for animals (the title of the chapter) suggests strongly an existing population who thought plants could move, including not just Gauls but his Greek fellows. One, Virgil in Eclogue VIII, says that


Maenalus, a mountain in Arcadia sacred to Pan, and now called Roino, clad with Pine trees, 'always has a vocal grove and shaking pines' (Alexander 1928:62).


So there were beliefs in moving trees 2000 years ago; they seem to have been more formal than today, addressed in Galen's science and Caesar's war.


Alexander further shows how common stories like these were:


Page 20 -- Dante describes the Cimmerian Forest, that infernal forest where the knotted, dark-leaved trees spoke to the wanderer when he endeavored to pluck a twig.


25-26 -- ... but that which seemed strangest of all to him (Yvon) was the sight of two trees lashing each other angrily with their branches... in a moment they became two human beings...


33 -- ... when all the great trees, the briars and the thorns, moved aside of themselves to let him (the Prince) pass... no one could follow him, because the trees had closed in again as soon as he had passed.


49 -- they (Druids) made choice of the deepest recesses of groves and woods for their most sacred places, and groves were often planted for that purpose with those trees in which they most delighted.


59 -- When the oracle was to be questioned the leaves rustled...


85 -- In the forest of Rugaard in Denmark there is said to be a leafless tree which, although it resembles other trees, is nevertheless an Elf who strolls about the forest by night.


He mentions the Druids, most famous tree-worshipers of all, objects of everyone from scholars to Spinal Tap. Their 20th century scholar Piggott writes






Lucan's dryadae look as though they have been influenced by the name of the Greek water and tree nymphs, dryades in Latin... Current opinion tends to concur with those ancient scholars such as Pliny who regarded it as related to the Greek word for an oak-tree, drus. The second syllable is regarded as cognate with the Indo-European root *wid-, 'to know' (1975:100).






Herm (1975) sums "druid" to "the apparent absurdity of 'oak-knower.'" He says too that only after Etruscan influence did they give their gods human shape; previously, it seems to be faces in trees, and before that, trees.


From other researched works by Kendrick (1927) and Webster (1986) we learn that druids are prehistoric-- ¬their tree-alphabet written language scarce and enigmatic-- ¬and had different, revered trees in many areas. Early churches were built on sacred groves (drunemeton) and indeed the word "church" is like "Quercus" which is the scientific name for oaks today; they are thought to have a common root.


Research has shown that "druid" is a plural form (Piggott 1975:100). This nuance is lost on new age "druids."






Sources suggest that the replacement of the druid pagan gods was quite slow by the ones of classical Greece and Rome, which further suggests the replacers were in a marked minority when out of their cities. Was Galen writing of this? Science, with its agreement in principle on animism at his time is certainly choosing a path, attempting a form of control, it seems -- over vegetation.


A way to sense this is to attempt to weed a large garden, and then think what it would be to tame the plants of the world. In the 20th century, it's been realized that the Judeo-Christian heritage, perhaps beginning with Caesar's first axe-blow at Marseille, has had a hand in this taming. This was crucial for modern civilization, a realization of the conquest of nature.


In Kendrick there is mention of a megalithic site in England, possibly 20 thousand years old, with an oak coffin and oak branches with mistletoe adorned: tree reverence that long ago. Galen's questioning of vegetative "soul" came some 17 thousand years after -- quite a long time for beliefs to build.


Thus it is documented that the primeval forest (which virtually none of us know today) was venerated and given ceremony to. It is fairly obvious that it was feared by many; this relates to the writings on animism by the Greco-Roman immortals. Speaking of desire, soul and an unmoving earth as Aristotle did happened at a time when, of course, the earth was moving. Limiting vegetation to growth and nutrition, nothing more, was a form of lion-taming in those forests.






Even in the language of the Roman people, there are clues to a feeling about odd motion, plants in motion:


vib, =ex, -ic (Latin).A whip mark


vibr, -a, -i, -o (L). Shake, vibrate


=vibrissa (L). A hair of the nostrils


viburn, =um (L). The wayfaring tree


...vine, vino (L). Wine


...vit, =a, -al (L). Life


vit, -i, =is (L). A vine; a winding


(Borror 1960:109-110).


A moving plant belief thus shows itself to be common. Scientific Romans shared everyday life with people who used vital, vibrant words for plants, and very close words for motion.






Plant Beliefs in the Middle Ages


The persistence of words like hamadryad and dryad (like druid), and the widespread belief in this concept of woodland, humanlike spirits in the Middle Ages are well-known. Wood spirits had roles of the supernatural. The noted archetype of the Green Man, staring from buildings today, has roots in Keltic carving which in turn seems to originate in natural face-looking wood, and thus, animism for trees. Many accounts exist: from Thistleton-Dyer, The Folk-Lore of Plants (1889) we read:






Page 59 -- ...one of their (witches) most favorite vehicles was a besom or broom, an implement which, it has been suggested, from its being a type of the winds, is an appropriate utensil "in the hands of the witches, who are windmakers and workers in that element"


89 -- ...the Wood or Moss people... are "clad in moss"... their lives... are attached to the trees


127 -- ... how the Hoedysarums have been well known ever since the days of Linnaeus to suddenly begin to quiver without any apparent cause, and just as suddenly to stop... heat will set in motion... the leaves... the leaves of the Colocasia esculenta... will often shiver at irregular times of the day and night... it has been suggested that they are due to changes in the weather of such a slight character…






From Hannay, 1622--



183 -- "The quaking aspen, light and thin, to the air quick passage gives"


183 -- from the fierceness with which it grabs the passer-by with its straggling prickly stems


214 -- (for) shaking... the quaking-grass (Briza media)... acted as a most powerful deterrent... the aspen, from its constant trembling, has been held a specific for this disease.






Note the reference to the famous Doctrine of Signatures- plants having a curative ability related to the human organ

they look like-- itself a form of animism.










The term Middle Ages is somewhat misleading for reference. A great span of time is involved, and many documents from that time are much older. When scholars look for exacting information in distant and more distant histories, great care is needed and some things are irrevocably altered by time.


Such may be the meaning of the famous poem by Gwion, or Taliesin, the Cad Goddau (The Battle of The Trees). Its translations and interpretations are diverse. Depending on who one reads, Taliesin is real and one of the last of the Druid, or possibly mythic, or a child, and the "battle" from as early as 400 BC but written of circa 600 AD (and possibly from an unknown earlier form). Or, the battle is an allegory, a form of wordplay related to the tree-alphabet of the Kelt priests mentioned before, or a seasonal representation of some form. There are evidences for any of these. But the poem is completely striking in itself, in any translation. Here are excerpts from two.


I have been in many shapes,

...I have been a book originally.

...I have been a tree in a covert.

...I have fought, though small,

In the Battle of Goddeu Brig

...I was in Caer Fefynedd,

Thither were hastening grasses and trees.

Wayfarers perceive them,

Warriors are astonished

...Assume the forms of the principal trees,

...When the trees were enchanted

There was hope for the trees,

That they should frustrate the attention

Of the surrounding fires...

...The alder-trees in the first line,

They made the commencement.

Willow and quicken tree,

They were slow in their array.

...Great is the gorse in battle.

...The pine-tree in the court,

Strong in battle,

...He turns not aside the measure of a foot,

But strikes right in the middle,

And at the farthest end.

...The holly dark green,

He was very courageous:

Defended with spikes on every side,

Wounding the hands.

The long-enduring poplars

Very much broken in fight.

...The heath was giving consolation,

Comforting the people.

The black cherry-tree was pursuing.

The oak-tree swiftly moving,

Before him tremble heaven and earth,

Stout doorkeeper against the foe

Is his name in all lands


(transl. D. W. Nash in Graves 1948:30-33)





Note the suggestion of a great forest fire in the above. The poem is much longer.



And a second translation:


From my seat at Fefynedd,

A city that is strong,

I watched the trees and green things

Hastening along.


Wayfarers wondered,
Warriors were dismayed

At renewal of conflicts
Such as Gwydion made,


Under the tongue-root
A fight most dread,

And another raging
 Behind, in the head.


The alders in the front line

Began the affray.

Willow and rowan-tree

Were tardy in array.


The holly, dark green

Made a resolute stand;

He is armed with many spear-points

Wounding the hand.


With foot-beat of the swift oak

Heaven and earth rung;

'Stout Guardian of the Door'

His name in every tongue.


Great was the gorse in battle,

And the ivy at his prime;

The hazel was arbiter

At this charmed time.


Uncouth and savage was the [fir?]

Cruel the ash-tree-

Turns not aside a foot-breadth,

Straight at the heart runs he.


The birch, though very noble,

Armed himself but late:

A sign not of cowardice

But of high estate.


The heath gave consolation

To the toil-spent folk,

The long-enduring poplars

In battle much broke.


Some of them were cast away

On the field of fight

Because of holes torn in them

By the enemy's might


Very wrathful was the [vine?]

Whose henchmen are the elms;

I exalt him mightily

To rulers of realms.


In shelter linger

Privet and woodbine

Inexperienced in warfare;

And the courtly pine.


(Graves 1948:36-37)


Graves mentions, two pages after that the "black cherry does not 'pursue’."





There is a suggestion in the beginning of the Cad Goddeu of hallucinogenic mushroom use which could account for the entire frame of reference. There is the thought by Graves that the tree animism is actually in the form of human wooden weapons. One sees from study that this poem has attracted attention. It is a supreme example of work, descended from the paganistic tree-cults, at direct odds with the lineage of the Greco-Roman scientists. At whatever level one interprets it, it is obviously related to an idea of moving trees -- they are the subjects of its verbs. It is limiting to think the author was only referring to an alphabet or weapons in the forested surroundings of the time. Possibly the writing was inspired by a fire or a great storm (Goddeu Brig translates to "treetops").


Note too that there is almost no use of the oracular voice in the poem, but much use of diverse action verbs for trees in seeming defiance of universal animacy. And Taliesin, the author, claimed to be a Druid. It is curious that interpreters may sometimes, derisively, ascribe supernatural powers of the Druid to make the trees move, but rarely if ever state that the Druid may have thought trees could move, through some perceptual difference. And if the priests did then would common folk hold this belief in awe, as we do today's religions? This is a straightforward explanation to the poem, in effect. But what would be the perceptual difference?





After the 13th century Book of Taliesin from which the Cad Goddeau is taken, another story surfacing in the Middle Ages is of the king Macbeth. First Holinshed in 1587 and then Shakespeare in 1623 make use of a previously existing legend of the woods of Bernane (Birnam). The resemblance to the Latin "viburnum" which could translate to "vibrating tree" is apparent. Viburnums are so-named to this day; they are small understory woodland trees for the most part. They would be excellent candidates for seeming to move without wind, from their location well under the forest canopy.



Shakespeare writes in Act 4, Scene One:


3rd apparition --...Macbeth shall never vanquished be until Great Birnam wood to high Dunsinane hill Shall come against him.


Macbeth -- That will never be; Whom can impress the forest, bid the tree Unfix his earth-bound root?


And in Act 5 Scene Five:


Messenger -- As I did stand my watch upon the hill, I looked toward Birnam, and anon, methought The wood began to move... Within this, three mile may you see it coming. I say, a moving grove.


The device by which this is done is soldiers holding branches. It is of note that a) witches are the ones who make the prophecy and b) Macbeth agrees because it seems to be the last thing on earth that could possibly happen.



Still the idea of moving plants is there. And there are others:



But I retiring from the flood


Take sanctuary in the wood;


And while it lasts, myself imbark


In this yet green, yet growing ark...


Out of these scattered sybil's leaves


Strange prophecies my phancy weaves...


Thrice happy he who not mistook

Hath read in nature's mystick book...


And see how chance's better wit


Could with a mask my studies hit!


The oak-leaves me embroyder all,


Between them caterpillars crawl


And ivy, with familiar trails,


Me licks, and clasps, and curies, and hales.


Under this antick cope I move


Like some great prelate of the grove...


Bind me ye woodbines in your 'twines,


Curie me about ye gadding vines,


And oh so close your circles lace


That I may never leave this place


But lest your fetters prove too weak,


Ere I your silken bondage break,


Do you, 0 brambles, chain me too,


And courteous briars nail me through


(Andrew Marvell, 1681 in Free Spirit, Aug-Sept


1991:42).






Thus, for two thousand recorded years there have been fairly consistent archetypes of both hybrid plant-humans (flower fairies, dryads, etc.) and plants themselves "animated." A line is hard to draw between these but is there nevertheless. Oracular powers and motion are older; plant-human spirits, a bit newer. The spirits are the more anthrocentric trend.






Modern


Marvell's poem both reaches back in time to the Druid, "prelates of the grove," and anticipates much more recent stories of what are called man-eating plants. These coincide with the ages of exploration for Europe. Numbers of these stories were told by travelers as they returned from what were often tropical expeditions (Madagascar, South America, Africa, Mexico), and they are summarized nicely by Menninger (1967), Schwartz (1974), and Mackal (1980). When one keeps in mind how amazing tropical plants may be in form (e.g., the giant Victoria Water Lily), the ambiguousness of translation from native languages, and a certain gullibility (or fear-- we know of the world vastly more now than then), man eating plant stories make more sense.


Now we know there are not plants like those-- ¬period, case closed. But if there is a feeling that transforms a person stuck in a thorny jungle to one grabbed by a thing, the trend makes sense. A deeper meaning is implied. The existence of the stories show this.






After his great Origin of Species, Charles Darwin wrote three books on the motion of plants in the late 1800s, The Power of Movement in Plants, The Movements and Habits of Climbing Plants, and Insectivorous Plants. In his lab he examined microscopic tendencies of cells to have phototaxis, other taxes, and circumnutation (growing tips constantly describing microscopic ellipses). It is interesting to note in light of this chapter that Darwin's formative and famous voyage was mostly by sea. He was most certainly grounded in a normal animacy but in later years, back on land, seemed to feel some need to address the moving plant question. Was this because of contemporary, sensational plant stories?






In this century, J.R.R. Tolkien (who curiously enough I seemed to meet in a dream once) had a love for trees, and showed this in his description of the Withywindle area in The Lord of The Rings trilogy, where the vegetation lets hikers go only one way until they meet Old Man Willow, who enfolds one of them. In later writings he reveals walking trees, the Ents, in much splendor -- and even their mating habits.


And even more recently:


"Let me (KaIs, 1977) just present my personal favorite... the tree theory. Trees cause the wind. You can check that easily yourself. When the leaves are motionless, there's no wind. When the leaves begin to rustle, you'll notice a slight breeze; when small branches move, you'll feel a moderate breeze. Whole trees in motion give you a gale... You may object: 'What causes the wind on a prairie with not a tree in sight?' That's easily answered: 'Trees beyond the horizon.' You must not object that the tree theory seems to mix up cause and effect. The two seem inseparable in weather science. Does the wind bring the weather, or does a passing weather system bring certain winds? As you will see, cause and effect are still intertwined in the most sophisticated explanation of winds."






We are at the present day. There are many more references to moving plants available. One of the points of this chapter is how common through history they are, and for the interested reader I have included some, with just as much focus as those in the chapter, in another afterword.





So fascination with moving plants has stayed with us for that long.


The more undecipherable older languages like the Gauls' seem to provide tree animation in more factual terms. The Middle Age stories of woodland elves and spirits were explanatory in their time. We cannot be sure about the reason for the Cad Goddeu. How real was this idea the farther back we go?


In older languages and alphabets, we can translate nouns and verbs but are uncertain of meanings. Virgil in the first century BC wrote "the baleful yew to northern blasts assigns" (Hartzell 1991:6). Note the verb usage in translation, after 2000 years. It may be ambiguous, as if the tree could have started the north wind.


Note, too, that some tales are of entire forests in motion.





One may take different paths at this mark. I see the referencing to be indicative of a widespread and long-lasting belief in motional plants. Some might say that we could similarly infer the historic presence of a griffon or chimaera, which is to say that the realm of relativity or fantasy must be invoked. But moving plant stories work at a different level. Animals can run from humans and thus are harder to identify, hence mythical beasts. One would think that trees would not inspire that much fantasy, over that long a time, unless humanity had a willingness to conspire in the archetype.


And we still conspire, in this highly technologic age when root growth of plants has been found to exceed 50 miles per day. It is easy to hear children, after a night walk in the woods, say they felt the trees reaching for them. Although this chapter's tales may evoke a fear in some, perhaps thrill (or thrall) is the right emotion for others. If there was real fear, like for a disease, the tales would not have been embellished -- especially if they were damaging. With a deeper fascination, subconscious, like an instinctive group memory, the tales would, as they have.


Stories of plant motion seem to draw one into a mystery of nature, not just of humanity. The more I search back, the more I sense our animal-like ancestors in awe of tree animacy -- the more real it was for them. Did we become objective in denying this?


If it could be shown that our modern idea of motion has evolved and was not completely linked to the rest of living things, what would this lead to? Would our desire for truth be serious enough to give up another power? What if other animals actually know plants to move as in these stories, and what is being shown in these references is near-evolution, a slow process of change?






Chapter Afterword


What follows is a list of more quotes regarding motion in the Kingdom Plantae.


"now hopping with short, quick springs along the ground, onward in a spirit-like dance over the turf, now caught by an eddy, rising suddenly a hundred feet in the air. Often one Wind-witch hangs on to another" (a kind of thistle) (Friend 1884)


"Presently the trees and bushes directly before him moved silently apart and showed a broad path... as he stepped forward upon it the trees and bushes beyond moved silently aside in their turn, and the path grew before him, as he walked along, like a green carpet slowly unrolling itself through the wood. It made him a little uneasy, at first, to find that the trees behind him came together again... By and by the path seemed to give itself a shake, and, turning abruptly around a large tree..." (Carryl 1884:63--"The Moving Forest")


"Wayfaring Tree, Hobble Bush, Witch Hobble, Viburnum alnifolium ("alder-leaved"): A very straggling, irregular shrub of woodlands commonly 5 rarely 9 feet high; the supple branches often drooping to the ground and taking root, forming loops which may trip up a careless wayfarer; hence the common names." (Mathews 1915:392)


"deeper and deeper into the Chaco forest... The trees were not tall, but they grew so closely together that their branches interlinked; beneath them the ground was waterlogged and overgrown with a profusion of plants, thorny bushes, and, incredibly enough, cacti... others were like octopuses, their long arms spread out across the ground, or curling round the tree-trunks in a spiky embrace...And indeed, the whole landscape did look as though nature had organised an enormous bottle party... Everywhere the palms leaned" (Durrell 1925:66-67)


"In returning to the old alternating life of animal and vegetable, the plant-men, jaded and deranged by the long fever of industrialism, found in their calm day-time experience an overwhelming joy... Little by little they gave less and less energy and time to 'animal' pursuits, until at last their nights as well as days were spent wholly as trees... 'Vegetable humanities,' if I may so call them, proved to be rather uncommon occurrences... In worlds where plant-men or other creatures had achieved civilization and science before rotation had become seriously retarded, great efforts were made to cope with the increasing harshness of the environment." (Stapledon 1937:340-342)


"This is Opuntia bigelovii, also known as 'jumping cactus." (Weight, 1952)


"Here are two cases of hostile spirits appropriating thorn trees growing beside a well-used high road... Thereupon there was a rush as of wind in the thorn tree above them, and they turned to see it bending down and swaying under a terrific gust which roared through it, and yet there was no wind at all, not even a gentle breeze, and the air around them was as still and quiet as ever." (MacManus 1959:53-54)


81 -- "The toothed arching branches come down... and above you like cruel living arms, and the more you struggle the more desperately you are entangled... The South has plant fly-catchers. It also has plant man-catchers."


190 -- "our own little journeys, away and back again, are only little more than tree-wavings -- many of them not so much."


315 -- "though fast rooted they travel about as far as we do. They go wandering forth in all directions with every wind, going and coming like ourselves, traveling with us around the sun two million miles a day, and through space heaven knows how fast and far!" (Muir 1954)






54 -- "'But this one was walking, I tell you; and there ain't no elm tree on the North Moors.'"


121 -- "'They do say the trees do actually move, and can surround strangers and hem them in.'"


122 -- "and the trees seemed constantly to bar their way."


123 -- "The trees grew close again on either side..."


124 -- "'The Withywindle valley is said to be the queerest part of the whole wood -- the centre from which all the queerness comes, as it were."


125 -- "somehow would not yield to the left, but only gave way when they turned to the right..."


129 -- "The branches of the willow began to sway violently. There was a sound as of a wind rising and spreading outwards to the branches of all the other trees round..."


141 -- "the fathers of the fathers of trees..." (Tolkien 1954)






44 -- "'Cut no living wood!'... certainly to each of the companions the boughs appeared to be bending this way and that..."


45 -- "'Yes, it is old,' said Aragorn, 'as old as the forest by the Barrow-downs, and it is far greater."


66 -- "'Almost felt you liked the Forest! That's good! That's uncommonly kind of you,' said a strange voice."


67 -- Treebeard" others make it."'


70 -- "Then carefully and solemnly_ he stalked down from step to step, and reached the floor of the Forest."


71 -- "'We are tree-herds, we old Ents.'"


73 -- "As the old Ent approached, the trees lifted up their branches, and all their leaves quivered and rustled."


78 -- "'Leaflock has grown sleepy, almost tree-ish, you might say: he has taken to standing by himself half-asleep all through the summer... He used to rouse up in winter; but of late he has been too drowsy to walk far even then.'"


155 -- "The king was silent. 'Ents!' he said at length. 'Out of the shadows of legend I begin a little to understand the marvel of the trees, I think."


158 -- "...in the middle night men heard a great noise, as a wind in the valley, and the ground trembled... for the slain Ores were gone, and the trees also." (Tolkien 1965)






109 -- "Tolkien's sense of the aliveness of this poplar..."


112 -- "huorns, half-tree, half-ent...Relapsing back toward raw nature the passions of the huorns are no longer bridled by rationality." (Kocher 1972)






"in Shakespeare of the coming of 'Great Birnam Wood to high Dunsinane I longed to devise a setting by which the trees might really march to war." (Tolkien in Carpenter 1977:28)






"For the majority of plants, however, this is the one and only time in their lives when they are free to travel." (as seeds) (Stone 1964:192)






"one scene on the walls as 'an eager crowd watching a diviner's search for water.' Eight thousand years ago!... The very name 'divining rod' implies association with a supreme being or beings. The pagan Druids, who were the spiritual, political, and judicial functionaries of the Celts in Gaul and what is now Britain, kept dowsing as a trade secret of the priest" (Howells 1979:11)






"The name Euphorbium was used in classical times for a plant of this genus and is said by Pliny to be in honour of King Juba's physician, Euphorbus." (like "euphoria," a type of motion) (Codd 1951:96)






"Quaking aspen... stalks, stir in the faintest breeze, giving the tree its name." (Zim and Martin 1956)






"The tree could not defend itself physically. Not against a man wielding an axe or saw. It could move its branches and roots, but far too slowly for that."


"It could survive high winds or shifting ground by rearranging its branches or roots. This was not lightly done, because it required intense heat to soften the living wood, and rapid, selective growth to force a branch or root into a new configuration; it could not be done at all when the sun was shining, because there was no adequate way to dissipate the heat before it killed the wood. In darkness, or during rain -- then it could be accomplished." (Anthony 1986:338, 342)






"the trees closed out the heat as their leaves waved restlessly" (Taylor 1975:11, The Song of the Trees)






"People Portrayed as Animals and Vegetation" (heading in article from Rowell and Goodkind 1989:32)






"The heart first shaped white flutters like a butterfly and then red mature lips blow and pucker blow and pucker like an origami flower man-eating plant crawling vine." (poem, Nammack 1989)






"Roots and rocks stuck out of the ground and low-hanging branches snatched at me. One yanked the hood back. When I tugged myself free, the overhanging branches dumped water down my neck." (Heise! 1991:101)






"instantly wilt upon being touched, as if to shrink away from their attacker." (Roach 1992)






"For Druids, there is no heaven or hell, there is only nature."


"Editor's Note: The writer is a Druid." (Petry 1993)






"I am that Tree planted by the River, Which will not be moved." (Angelou 1993 in The New York Times)






"Coming home I drove into the wrong house and collided with a tree I don't have."


"I had been shopping for plants all day and was on my way home. As I reached an intersection, a hedge sprang up, obscuring my vision and I did not see the other car." ("actual statements from insurance forms")






"Wind, Kind to trees, swings branches... So dance trees, Dance for all you're worth! Take the wind in your arms and dance!" (Ferrara 1993)






"Marshall's research suggests that the wild radish is leading a surprisingly active sex life... 'As it turns out, plants are far from passive -- they're just slower than animals." (Lynn 1990)






xv -- "many churchyard tales... the yew sends its roots onto the throats of the buried dead, retrieves their secrets and transforms them into whispers to be blown loose from the foliage in the wind."


19 -- "the trees were the abode of spirits or divinities who in many cases had power over vegetation" (MacCulloch 1911)






109 -- "In the Cad Goddeau, the poet Gwion says of the yew, 'The dower-scattering yew/ Stood glum at the fight's fringe.'" (Graves 1948)






131 -- "When the people began to talk to the trees, then the change came" (referring to a flood -- the legend "The Beginning of the Skagit World")


251 -- (from Tennyson, "In Memorium") "he adds the possibility of 'whispers' being 'kindled at their tips'


264 -- "Dr. Leyden implies a sensate being..."


272 -- (from T.S. Eliot, "Burnt Norton" (1935)) "circulation of the lymph/ Are figured in the drift of stars/ Ascend to summer in the tree/ We move above the moving tree...Below, the boarhound and the boar/ Pursue their pattern as before/ But reconciled among the stars"


278 -- (from Silvia Plath, "Little Fugue") "The yew's black fingers wag... The horrific complications." (the above group courtesy of Hartzell, 1991)






180 -- "Sometimes its (Celtic design) bizarre motifs hinted at convolutions of grotesque petals or the tendrils of vines. The smith enjoyed almost supernatural status" (The Epic of Man, 1961)


"Nemeton Productions"


"Magic Forest"


"Singingtree Counseling"


"The City of Living Trees"


"Dancing Oak Landscaping" (titles for 1994 businesses)










"U Huya Nokame (The Talking Tree): The Pre¬history and History of the Yaqui People" (Kaczkurkin, 1991 lecture title)






A story of a little girl, her grandma, moving trees, and a horse was told to me by Peggy Turco, an upstate New York Native who spoke it as truth.






"And he says things like this about the system: 'To quote Somerset Maugham: "The difference between genius and insanity is the trembling of a leaf” (Layden, 1994 quoting Paul Westhead (basketball))


The author wishes to thank the reader for coming through this long section. For one, it shows the weight of the idea. To me, writing it, there was an overwhelming, as in a sense of balance changed. This in itself is interesting and is contained within the hypothesis. Would moving trees affect our balance?